Morreu Charlton Heston
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Joe-Fagundes
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Morreu Charlton Heston
Charlton Heston Dies at 84
Charlton Heston, the square-jawed movie star who won an Oscar for his portrayal of Ben-Hur and was famed for a number of other epic films, died Saturday night at the age of 84. Though an official cause of death was not initially released, the actor had announced in 2002 that he was battling Alzheimer's disease, and had withdrawn from professional appearances after the diagnosis. An actor at first well-known for his portrayal of historical figures -- in addition to his role as Ben-Hur, he also played Michelangelo, El Cid, Moses, and John the Baptist -- Heston's fame later in life was highlighted by his polarizing views on gun control, as the actor was elected president of the National Rifle Association in 1998 and vigorously defended the rights of gun owners throughout the country. That role, which he left in 2003, almost overshadowed the length of his impressive acting career, which started in theater and television before graduating to the silver screen.
Born in Evanston, IL, Heston was the son of a mill owner who found his life's ambition in acting and found his first big breaks on the Broadway stage and in the nascent medium of television. He made his debut in the 1950 film noir thriller Dark City, and within two years headlined (alongside established stars Betty Hutton and Cornel Wilde) the 1952 Best Picture Oscar winner, The Greatest Show on Earth, directed by Cecil B. DeMille. Though he continued to work in a number of lower-profile films, including Ruby Gentry and The Naked Jungle, it was DeMille who in 1956 gave the actor one of his most iconic roles, that of Moses in the Biblical epic The Ten Commandments, a sweeping, captivating, over-the-top film that pioneered cinematic special effects with its parting of the Red Sea, and in its depiction of the turbulent political lives and love lives of its stars -- Heston, Yul Brynner as the Pharoah and Anne Baxter as the woman torn between them -- became the quintessential studio epic of its time, favored as much for its close-to-camp emotional broadness as well as its impressive scale. Heston did a 180-degree turnaround from that statuesque role with 1958's Touch of Evil, the Orson Welles thriller that remains a classic to this day in which he played a Mexican narcotics officer drawn into a lurid drug ring. Heston won his Best Actor Oscar in 1959 for another lavish, larger-than-life historical epic, Ben-Hur, which with its famed chariot race and story set against the backdrop of ancient Rome won a record 11 Academy Awards, a feat not equalled until Titanic's similar win in 1997.
After Ben-Hur, Heston's status as a star was firmly cemented, and throughout the 1960s roles in such films as El Cid, 55 Days at Peking, The Greatest Story Ever Told (where he played John the Baptist), The Agony and the Ecstasy (his Michelangelo going up against Rex Harrison's Pope Julius II), and Khartoum followed. He found another legendary screen character in 1968's Planet of the Apes, as an astronaut who finds himself on a futuristic Earth now populated by evolved simians who have enslaved the human race. As with his other roles, Heston perfectly balanced the camp aspects of the story with a gravitas that helped ground the sci-fi thriller with a modern-day resonance that helped audiences identify with the hero's plight. (Heston briefly reprised his role in the sequel Beneath the Planet of the Apes). The 1970s saw the actor again in futuristic roles in The Omega Man (based on the same story as last year's I Am Legend) and Soylent Green, as well as the disaster epics Airport 1975 and Earthquake. Heston's later film career was made up primarily of thrillers (Gray Lady Down, Two-Minute Warning, The Awakening), television appearances (most notably in Dynasty and its spinoff, The Colbys), and cameos in a variety of high-profile films (Wayne's World 2, Tombstone, True Lies, Hamlet, Any Given Sunday, and the remake of Planet of the Apes, among others). By 1978, Heston had received the Jean Hersholt Humanitarian Award, the Cecil B. DeMille Award from the Hollywood Foreign Press Association, and a lifetime achievement award from the Screen Actors Guild; on the down side, he also regrettably won a Razzie award in 2002 for his supporting performances in Cats & Dogs and Town and Country.
Heston's film career became overshadowed by his political alliances in the 1980s and onward, as the former president of the Screen Actors Guild and onetime chairman of the American Film Institute championed conservative causes and campaigned aggressively against gun control, becoming president of the National Rifle Association in 1998 and speaking out against then-President Bill Clinton on the subject. Becoming yet another icon, Heston found himself revered and reviled by supporters on both sides of the issue and became the surprising center of a highly emotional culture war, and used his fame to speak out in favor of a number of conservative issues (he changed his political stance from Democrat to Republican in the late 1980s). His career as gun-control opponent reached an apotheosis with his appearance in Michael Moore's 2002 Oscar-winning Bowling for Columbine, where he refused to answer Moore's questions regarding the Columbine High School shootings. A year later, Heston received the Presidential Medal of Freedom and had officially disclosed that he was battling Alzheimer's; he consequently withdrew from public life.
Heston is survived by his wife Lydia Clarke, to whom he was married 64 years, and their two children, Fraser Clarke Heston and Holly Heston Rochell.
Charlton Heston, the square-jawed movie star who won an Oscar for his portrayal of Ben-Hur and was famed for a number of other epic films, died Saturday night at the age of 84. Though an official cause of death was not initially released, the actor had announced in 2002 that he was battling Alzheimer's disease, and had withdrawn from professional appearances after the diagnosis. An actor at first well-known for his portrayal of historical figures -- in addition to his role as Ben-Hur, he also played Michelangelo, El Cid, Moses, and John the Baptist -- Heston's fame later in life was highlighted by his polarizing views on gun control, as the actor was elected president of the National Rifle Association in 1998 and vigorously defended the rights of gun owners throughout the country. That role, which he left in 2003, almost overshadowed the length of his impressive acting career, which started in theater and television before graduating to the silver screen.
Born in Evanston, IL, Heston was the son of a mill owner who found his life's ambition in acting and found his first big breaks on the Broadway stage and in the nascent medium of television. He made his debut in the 1950 film noir thriller Dark City, and within two years headlined (alongside established stars Betty Hutton and Cornel Wilde) the 1952 Best Picture Oscar winner, The Greatest Show on Earth, directed by Cecil B. DeMille. Though he continued to work in a number of lower-profile films, including Ruby Gentry and The Naked Jungle, it was DeMille who in 1956 gave the actor one of his most iconic roles, that of Moses in the Biblical epic The Ten Commandments, a sweeping, captivating, over-the-top film that pioneered cinematic special effects with its parting of the Red Sea, and in its depiction of the turbulent political lives and love lives of its stars -- Heston, Yul Brynner as the Pharoah and Anne Baxter as the woman torn between them -- became the quintessential studio epic of its time, favored as much for its close-to-camp emotional broadness as well as its impressive scale. Heston did a 180-degree turnaround from that statuesque role with 1958's Touch of Evil, the Orson Welles thriller that remains a classic to this day in which he played a Mexican narcotics officer drawn into a lurid drug ring. Heston won his Best Actor Oscar in 1959 for another lavish, larger-than-life historical epic, Ben-Hur, which with its famed chariot race and story set against the backdrop of ancient Rome won a record 11 Academy Awards, a feat not equalled until Titanic's similar win in 1997.
After Ben-Hur, Heston's status as a star was firmly cemented, and throughout the 1960s roles in such films as El Cid, 55 Days at Peking, The Greatest Story Ever Told (where he played John the Baptist), The Agony and the Ecstasy (his Michelangelo going up against Rex Harrison's Pope Julius II), and Khartoum followed. He found another legendary screen character in 1968's Planet of the Apes, as an astronaut who finds himself on a futuristic Earth now populated by evolved simians who have enslaved the human race. As with his other roles, Heston perfectly balanced the camp aspects of the story with a gravitas that helped ground the sci-fi thriller with a modern-day resonance that helped audiences identify with the hero's plight. (Heston briefly reprised his role in the sequel Beneath the Planet of the Apes). The 1970s saw the actor again in futuristic roles in The Omega Man (based on the same story as last year's I Am Legend) and Soylent Green, as well as the disaster epics Airport 1975 and Earthquake. Heston's later film career was made up primarily of thrillers (Gray Lady Down, Two-Minute Warning, The Awakening), television appearances (most notably in Dynasty and its spinoff, The Colbys), and cameos in a variety of high-profile films (Wayne's World 2, Tombstone, True Lies, Hamlet, Any Given Sunday, and the remake of Planet of the Apes, among others). By 1978, Heston had received the Jean Hersholt Humanitarian Award, the Cecil B. DeMille Award from the Hollywood Foreign Press Association, and a lifetime achievement award from the Screen Actors Guild; on the down side, he also regrettably won a Razzie award in 2002 for his supporting performances in Cats & Dogs and Town and Country.
Heston's film career became overshadowed by his political alliances in the 1980s and onward, as the former president of the Screen Actors Guild and onetime chairman of the American Film Institute championed conservative causes and campaigned aggressively against gun control, becoming president of the National Rifle Association in 1998 and speaking out against then-President Bill Clinton on the subject. Becoming yet another icon, Heston found himself revered and reviled by supporters on both sides of the issue and became the surprising center of a highly emotional culture war, and used his fame to speak out in favor of a number of conservative issues (he changed his political stance from Democrat to Republican in the late 1980s). His career as gun-control opponent reached an apotheosis with his appearance in Michael Moore's 2002 Oscar-winning Bowling for Columbine, where he refused to answer Moore's questions regarding the Columbine High School shootings. A year later, Heston received the Presidential Medal of Freedom and had officially disclosed that he was battling Alzheimer's; he consequently withdrew from public life.
Heston is survived by his wife Lydia Clarke, to whom he was married 64 years, and their two children, Fraser Clarke Heston and Holly Heston Rochell.
Inter Arma, Enim Silent Leges
"The Andorian Mining Consortium runs from no one"
"Bush is a reverse alchemist. Everything he touches turns to shit."
"The Andorian Mining Consortium runs from no one"
"Bush is a reverse alchemist. Everything he touches turns to shit."
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VitorSimao
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Tojal City
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Embora fosse um verdadeiro "asshole" por ter defendido as bestas do NRA, ninguém pode negar a sua fabulosa cinematografia. Se não foi o primeiro, foi sem dúvida um dos primeiros impulsionadores dos action heroes e dos filmes blockbusters. Ele lembra-me sempre o Arnold Schwarzenegger, mas sem sotaque 
Por isso não o acho grande actor, mas raios se não participa em grandes filmes.
RIP.
Por isso não o acho grande actor, mas raios se não participa em grandes filmes.RIP.
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Weed_Master
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Mais um grande actor que parte.
Apesar das suas ideologias fora do ecran, foi sempre um actor que admirei, o Ben-Hur, o Touch of Evil estão no meu top de filmes favoritos.
E a juntar a esses 2, estao mais filmes que me marcaram a infancia, como o naked jungle, os 10 mandamentos e o soylent Green.
R.I.P.
Apesar das suas ideologias fora do ecran, foi sempre um actor que admirei, o Ben-Hur, o Touch of Evil estão no meu top de filmes favoritos.
E a juntar a esses 2, estao mais filmes que me marcaram a infancia, como o naked jungle, os 10 mandamentos e o soylent Green.
R.I.P.
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Tojal City
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p_alucinado
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Exemplo acabado de um actor que eu nunca achei muito versátil mas que se fazia valer do grande magnetismo que tinha em frente à câmara. Tenho belas memórias de alguns dos filmes em que participou, principalmente dos clássicos, mas não posso dizer que lhe vá sentir muito a falta... por óbvias razões. Que vá e descanse em paz.
Um clássico por semana, visto pela primeira vez, em UMA PARAGEM NO DRIVE-IN (http://umaparagem.blogspot.pt)
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Von Paulus
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Soube da sua morte nas notícias à hora de almoço. Também o associo agora sempre com as armas, "maluquinho", vi no documentário do Michael Moore bowling for Columbine. Mas tinha as suas convicções, respeitava-se claro.
Que Descanse em Paz!
Off-topic: nada contra o Joe nem contra o inglês, mas lá por ser aquela língua base, que todos sabemos (bastante bem muitos), pois somos bombardeados com filmes, séries, música, porque é que se transcrevem assim textos, arranjava-se algo em Português. Este é um forum Nacional. O que é PT é bom!
Que Descanse em Paz!
Off-topic: nada contra o Joe nem contra o inglês, mas lá por ser aquela língua base, que todos sabemos (bastante bem muitos), pois somos bombardeados com filmes, séries, música, porque é que se transcrevem assim textos, arranjava-se algo em Português. Este é um forum Nacional. O que é PT é bom!
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VitorSimao
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Off-topic:Off-topic: nada contra o Joe nem contra o inglês, mas lá por ser aquela língua base, que todos sabemos (bastante bem muitos), pois somos bombardeados com filmes, séries, música, porque é que se transcrevem assim textos, arranjava-se algo em Português. Este é um forum Nacional. O que é PT é bom!
Primeiro porque por norma colocamos os textos no original, segundo porque apesar de praticamente todos darem umas "pancadinhas" no inglês e tirarem umas coisas pelas outras, nem todos conseguem fazer uma tradução correcta dos textos.
Alem disso a maioria das noticias são colocadas aqui antes sequer de aparecerem nos nossos media (esta foi um bom exemplo desses), ou nem sequer neles aparecem (noticias sobre cinema não são do que mais abunda no nosso país).
Por ultimo, porque é mais fácil fazer copy+paste, já que todos percebem, do que tar a traduzir algo, para que todos igualmente percebam.
Pessoalmente nada tenho contra o Português, nem contra o Inglês, mas acho que tudo é melhor no original, seja ele de que parte do mundo for, ou em que lingua for.
É que daqui a pouco estamos a deferender a dobragem de series e filmes nas nossas TVs e cinemas porque.. são canais portugueses e salas de cinema em Portugal
Eu também gosto das coisas na língua original. Desde que seja de qualidade, não me importo de ouvir um filme em indiano, chinês, espanhol.
Entrei no tópico, uma simples frase que podia estar em português, morreu aos 84 anos, nem isso.
E depois em vez do texto tinha-se posto o link, mas pronto é uma citação, não vou estar a ser mesquinho, e sei bem que aqui no cinema especialmente põem-se muitas notícias em inglês.
Entrei no tópico, uma simples frase que podia estar em português, morreu aos 84 anos, nem isso.
E depois em vez do texto tinha-se posto o link, mas pronto é uma citação, não vou estar a ser mesquinho, e sei bem que aqui no cinema especialmente põem-se muitas notícias em inglês.
Ben Hur e o Planeta dos Macacos foram os filmes que mais me marcaram.
Que descanse em paz.
Sobre as suas posições pessoais, não me pronuncio. Creio que não era o objectivo deste tópico falar delas.
Que descanse em paz.
Sobre as suas posições pessoais, não me pronuncio. Creio que não era o objectivo deste tópico falar delas.
Last edited by Tiago on April 7th, 2008, 10:47 pm, edited 1 time in total.